![]() But it also poses a problem for Urtext, because without certain interventions in the text, the original arpeggione part could not be performed on the instrument closest to the timbre, namely the viola or the cello. And this work in three movements is truly immortal. ![]() This organological curiosity would certainly have long since been forgotten in the most total oblivion if precisely Franz Schubert had not composed his sonata in A minor for this instrument. A good intention is never good enough (according to Kurt Tucholsky): the Arpeggione, this kind of hybrid - a large guitar rubbed by a bow - has never succeeded in imposing itself on musicians.
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